Narisara Jirojananukun is a British-based Thai artist, printmaker and photographer. She studied at Central Saint Martins before completing an MA at Camberwell College of Arts. Her latest etchings are now collected internationally and available below.

Prints

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Hug

Hug

Hug

£180.00
Sale price  £180.00 Regular price 
By Your Side

By Your Side

By Your Side

£180.00
Sale price  £180.00 Regular price 
NON-PLACE

NON-PLACE

NON-PLACE

£180.00
Sale price  £180.00 Regular price 
In the Crowd

In the Crowd

In the Crowd

£180.00
Sale price  £180.00 Regular price 
Waterloo Station

Waterloo Station

Waterloo Station

£260.00
Sale price  £260.00 Regular price 
Busy Morning

Busy Morning

Busy Morning

£180.00
Sale price  £180.00 Regular price 
Carry Me Daddy

Carry Me Daddy

Carry Me Daddy

£150.00
Sale price  £150.00 Regular price 
Hug

Hug

Hug

£150.00
Sale price  £150.00 Regular price 
Friends

Friends

Friends

£150.00
Sale price  £150.00 Regular price 
NON-PLACE

NON-PLACE

NON-PLACE

£180.00
Sale price  £180.00 Regular price 
Busy Morning

Busy Morning

Busy Morning

£180.00
Sale price  £180.00 Regular price 
Hug

Hug

Hug

£180.00
Sale price  £180.00 Regular price 
By your side

By your side

By your side

£180.00
Sale price  £180.00 Regular price 
Waiting

Waiting

Waiting

£180.00
Sale price  £180.00 Regular price 
Waiting Together

Waiting Together

Waiting Together

£180.00
Sale price  £180.00 Regular price 
Together

Together

Together

£180.00
Sale price  £180.00 Regular price 

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My practice bridges storytelling, photography, and printmaking, exploring moments of human connection within everyday and transient spaces often described as ‘non-places’, the anonymous environments of modern life. Through careful observation, she seeks out subtle gestures of touch, care, and shared presence within these otherwise impersonal surroundings.

Working across etching and photo-based processes, Jirojananukun examines the intersection of photography and printmaking to create tactile visual narratives rooted in human experience. Drawing inspiration from small, intimate encounters in public life, her works remain simple, accessible, and quietly uplifting. By translating observational photography into print, she preserves fleeting gestures and reveals subtle connections within spaces often perceived as anonymous. Through the tactile process of printmaking and hand-drawn mark-making, she slows down these passing moments, inviting viewers to reflect on warmth, human presence, and quiet feelings of connection within temporary environments.